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the tactile table

StillScape#01

Ceramics . Gastronomic . Botanic

The Tactile Table (TTT), the first edition of stillscape by Still, is an experiential showcase featuring Seeing Qi and Dear Tuesday, with special participation from Koat and Fawn World. It explores how textures, rituals, and natural irregularities shape our connection to objects. 

Through the display of ceramics, sensory dining, and tactile botanical explorations, TTT invites you to take a breather and sharpen your senses in this exclusive space.

Seeing QI
01
ceramics
ceramics
望氣

A Taiwanese film/ad director turned ceramicist.

Jason Lin Hsin-Chih specialises in functional wares that feature raw and tactile sensory surface and organic forms in monotone. His works revealed his belief in imperfections being part of the layers of life experience.

碗與桃

Q: What does ‘Everyday Textures’ mean to you?

Our daily routines may seem ordinary, but the mundane encounters and experiences shape our understanding of life in profound ways. Everyday Textures hold a strong presence, revealing meaning in the seemingly unremarkable.

Literally, Everyday Textures refer to the roughness and smoothness of physical materials —or figurative, reflecting the rhythms of daily life: waking, working, eating, resting. These routines, serve as reminders that each day is new, valuable, and worth appreciating, and shouldn’t be taken for granted.

Something as simple as a nourishing meal allows us to slow down, replenish, and reflect. As the mind wanders, even the most familiar objects—the mug cradling your coffee, the plate holding a warm meal—become gentle affirmations of presence, gratitude, and the preciousness of your everyday.

闊邊大盤

Q: What has been your creative philosophy?

I believe imperfection itself is a form of perfection. There’s no such thing as a ‘perfect moment’ or ‘perfect situation’—it’s often the unexpected, imperfect experiences that shape us the most.

In my making process, I intentionally allow rough surfaces, uneven edges, and even cracks to emerge. I don’t see them as flaws but as opportunities—potential for deeper meaning or greater functionality.

Beyond art, I find imperfection in people even more compelling. It’s a profound and charming quality, revealing authenticity, depth, and the beauty of being human.

Q: What is your ideal stillscape?

The perfect stillscape for me unfolds with books, a cozy table lamp, and treasures found in vintage stores. A vase of fresh flowers offers a refreshing pause when I tire of reading, while a cup of tea completes the scene. These simple elements create my personal table of stillness—a space where comfort and calm come together.

A selection of music that sets the tone and sparks his creative flow.

02
Dear Tuesday
ceramics

Chlo Hew is a multidisciplinary artist based in Singapore, working under the name Dear Tuesday. Trained in Fine Arts at LASALLE College of the Arts, her practice spans drawing, painting, and ceramics, shaped by an interest in quiet forms, material sensitivity, and the balance between chance and order.

With roots in mark-making and soft abstraction, she now works primarily with paper and clay, often allowing the two to inform each other, while also exploring more color and abstract forms in her ceramic work to find new possibilities to  express her curiosity.

ceramics
ceramics
ceramics

Q: What’s the inspiration for the TTT collection?

A crease in the pillow, a fold in the page/ a torn edge hanging where yesterday stayed/ faint lines on skin from the weight of the night/ a softened book spine where hands have been/ frayed lace tip, soap bar worn thin.

I like to give attention to the small, quiet and overlooked.  These fleeting traces, like ghosts of our presence,  bear quiet witness to time, touch, and habit. They form an invisible archive of everyday life, traces left behind without our attention, but speak the factual connection and stories together, if you look intently.

chlo hew

Q: Your work spans across different mediums and ideas. Would you say you struggle with focusing on just one discipline?

I’ve never had the patience for repetitive making. My mind is always overflowing with ideas, i get curious, eager, and restless to bring them into fruition. I often say I’m like 杂菜饭 (economy rice)—a bit of everything, never just one thing.

I’ve always admired the 匠人 (artisan) mentality—the kind of dedication where someone devotes their entire life to mastering a single craft. That level of focus and commitment is something I deeply respect, even envy at times. But over the years, my faith changed the way I see things– there was a time when I thought not being a specialist made me less legitimate in some way. But I’ve come to realize that my way of working is not a flaw—it’s simply different.

Instead of mastering just one skill, I embrace the fact that my talents are scattered. I could be everywhere, doing many different things, but that doesn’t make the work any less meaningful. As long as there’s intention and purpose behind what I create, it all connects. I still take time and practice to see versatility not as a lack of direction but a strength, and ultimately, a way of making.

Q: What is your ideal stillscape?

drawing

It’s easier if i just draw out:

  • a giant arrangement of flowers/greens

  • small objects of “work-in-progess”

  • something with warmth.

ceramics

koat

koat is a creative house that hosts and curates, offering venues, services, and experiences.

Born from a love for aesthetics and creation, koat seamlessly weaves expertise with artistry; where spaces whisper stories and ideas take flight. They uncover hidden gems, craft moments that linger, and shape experiences with an intuitive, artful touch.

Tactile Dining:

In harmony with the theme of The Tactile Table, we craft a menu that speaks in textures. Humble ingredients take center stage, elevated through touch, taste, and memory. A simple staple, adorned with quiet magic, becomes more than a meal—it becomes a story, a moment woven from the beauty of the ordinary.

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ceramics
koat
koat

Fawn
World

Fawn World is a botanical design studio that wants everyone to uncover the secrets of the botanical realm.

They believe in the mud, acid and overgrowth of our wonderful natural world.

flower
koat
fawn world

Expressions of growth, movement and death in nature. A workshop exploring botanical design with material that is unruly, decaying and imperfect.

Materials and tools provided, participants will be working on arrangements that range in size from

10cm X 10cm to 30cm x 30cm.

Includes a flower vessel by

Dear Tuesday

Approx. 6cm - 10cm (w), freeform, glazed stoneware

(RRP at $45)

ceramics

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